| Chuck Walter Productions Inc. All rights reserved. |
| Filming in the Sahara with producer Max Block. |
| A day with the Coast Guard for Food Network |
| With producer Simone Swink and Sound mixer Charlie MacDonald in New Zealand. |
| On patrol looking for illegal fishermen in the Galapagos. That's a Giant turtle shell poachers probably killed for food. |
| An interview in the rubble of Afghanistan. |
| In Mali with a Group of Dogon Hunters |
| A 2 Camera interview for PBS |
| "Iron Chef" Cat Cora does a PSA for Food Network |
| In the Arctic with seal hunters for ITN |
| In the kitchen filming a promo for the Food Network. |
| Soundman Gerry Berkowitz and I with the fruit detective for Martha Stewart. |
| On Safari in Uganda. That's reporter Peter Standring pointing at the lions. Notice he's inside the truck! |
| Live shot positions outside the courthouse for the Michael Jackson trial. Working with Eurovision-EBU, we did more than 80 feeds for Europe after the verdict was read! |
| At the summit of the Grand Teton! 14,000ft up it was one of the windiest, coldest climbs our expert guides from Exum mountaineering had ever seen. We shot the actual push for the summit in 24p on Panasonic DVX100a cameras. You can't really see it in the photo but we had to make sure all the gear was roped down so it wouldn't blow away! |
| Shooting around the base of Teton for Jane Pauley. |
| Shooting an America's cup segment. |
| In Mongolia where the camels have 2 humps. |
| Filming the Blue angles with Chad Cohen for Nat Geo. |
| SFO. |
| With soundman Charlie MacDonald in Kabul. |
| On the flight deck of the USS Carl Vinson. |
| We had some serious protection while filing in the Sahara. |
| With the Brut girls! |
| Filming a segment for a life on Mars program for Nat Geo. |
| I spent a weekend filming Drag racing for Nat Geo. |
| With Jane Goodall in Tanzania. |
| A Two camera interview for California Connected. |
| Filming Oliver North for Fox News. |
| A Dogan mask in Mali. |
| With President Bill Clinton. |
| My office during one Nat Geo Shoot- Thats one expensive chair. |
| Adjusting the Jib. |
| I filmed engine interiors with an HD snorkel lens mounted to a Varicam that was on a jib. Note the Kino-flo light mounted to the lens. |
| Shooting with the Varicam while being lowered into a ventilation shaft. Thats a 3 |
| Shooting another dolly shot. |
| Setting up a dolly shot for National Geographic. |
| Shooting on the Jib for National Geographic. |


| On the summit of Mt. Shasta |
| My Liveshot position at the San Francisco Olympic torch relay/protests. |
| Getting my camera mounted for another helicopter aerial shot. |